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Издано в 2026 году.

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Аннотация

At the Sierra Nevada Hotel, time stands still: guests endlessly relive their "yesterdays," trapped in a cage of memories. Thomas, a young bellhop, acts as the bridge between these fragments until Marta arrives. Unlike others, she carries no baggage of memory and demands a room with a view of "tomorrow".

Her presence triggers a shift, as Marta seeks the freedom of the future over the comfort of familiar sorrow. The two embark on a surreal journey beyond the hotel into the void of "Day One," where time is merely a canvas. Pursued by a "System" that feeds on human pain, they must transform from observers into the architects of their own reality.

"The Syndrome of an Ideal Tomorrow" is a psychological drama exploring the struggle to escape the snare of trauma. In the silence of solitude, Thomas and Marta realize that the hardest part of the journey isn't building the new—it is finding the courage to finally let go of the past.

Юлия Авилкина - The Syndrome of an Ideal Tomorrow


Prologue


At the Sierra Nevada Hotel, time doesn't flow—it is portioned out by room number, like vintage wine in a cellar.

If you walk down the carpeted hallway of the third floor, your boots will tread, in turn, a May afternoon in 1984, the sweltering twilight of August 2012, and the biting frost of a February dawn that never broke for the guest in 302. The borders between eras smell of iron and old paper. Take a single step, and the temperature swings ten degrees; the silence of the corridor gives way to the rustle of a pine forest felled decades ago, bleeding through the cracks of a nearby door.

The place has its rules.

First: Never knock on a door unless you are prepared to share someone else’s "yesterday."

Second: Do not take souvenirs from the rooms—a flower plucked in 1990 crumbles into gray ash the moment it touches the air of the present.

Thomas, the only bellhop whose wrist calendar synced with the real world, was used to this mosaic. He knew to enter 214 wearing sunglasses—inside, the sun beat down on that one day at the beach Mr. Green had refused to let go of for twelve years. Thomas knew that in 405, they were always weeping, while in 112, they laughed so loudly his ears would ring.

But today, a new key lay on the front desk. No room number. No date. It was heavy and cold, like a jagged shard of ice.

The lobby smelled of rain that wasn't falling outside. And for the first time in years, Thomas felt that "today" was the most dangerous place in the building.


Chapter 1: Cold Coffee and the Scent of Wormwood

Thomas’s mornings always began with the ritual of "syncing." He stood in the lobby before the massive grandfather clock—the only honest piece of machinery in the building. Its pendulum ticked off a steady, relentless "now," while behind hundreds of hotel doors, time twisted into loops, fell asleep in dusty corners, or thrashed in the hysterics of a single, frozen moment.

Thomas straightened the brass buttons on his livery. He was twenty-five, but in the hotel mirrors, he sometimes saw an old man—the shadows of other people’s lived decades had a way of clinging to his clothes like burrs.

"Room 312, breakfast," rasped Marcus, the aging manager, his eyes never leaving a ten-year-old newspaper. "And, Thomas... wear gloves. It’s particularly windy in there today."

Thomas sighed. Room 312 belonged to Madame Laurent. Her "yesterday" was stuck in October 1964, on a seaside terrace, five minutes before the mailman brought the letter that shattered her life. She had rented the room to wait for that mailman forever, but never, ever to open the door for him.


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